
For every candid observer agrees that the negro is happier and better as a slave than as a free man, and no individual belonging to the Anglo-Saxon stock would acknowledge that the intellect of the negro is equal to his own.
John Henry Hopkins, 1861
The series of watercolor landscapes that Bishop John Henry Hopkins (1792-1868) of Vermont executed during his brief sojourn in Sewanee in the winter of 1858-1859 are among the most treasured artifacts in the archival collections of the University of the South. Only five of the two dozen or more watercolors survive, and four depict the mountain’s natural charms, such as the “Chalybeate Spring” and the “Natural Bridge” (shown here). Today the originals are locked away in the University’s Special Collections, but excellent reproductions are on public display at the Sewanee Inn.
Continue reading “In Their Own Words: An introduction John Henry Hopkins — first Bishop of Vermont, artist and architect, and defender of slavery”